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Photographing Flowers: Exploring Macro Worlds with Harold Davis, by Harold Davis
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Capture stunning macro floral images with this gorgeous guide by acclaimed photographer Harold Davis. You'll learn about different types of flowers, macro equipment basics, and the intricacies of shooting different floral varieties in the field and in the studio.
Harold also shows you techniques in the Photoshop darkroom that can be applied to flower photography to help you get the most out of your images.
Beautiful and authoritative, this guide to photographing flowers is a must-read for every photographer interested in flower photography. Photographing Flowers will also win a place in the hearts of those who simply love striking floral imagery.
- Sales Rank: #140771 in eBooks
- Published on: 2012-10-12
- Released on: 2012-10-12
- Format: Kindle eBook
Amazon.com Review
Images and Stories from Photographing Flowers [Click on Images to Enlarge]
Cycle of Life Left: This is a shot of corn poppies (Papaver rhoeas) in my garden in early June. Many people do not know that “poppies” have their name because the flower literally pops out of its pod. This action takes place surprisingly quickly, and it can be a challenge to capture it photographically! The poppy in the center of the photo is mature, but the one to the upper right has just bloomed, shedding its delicate pod cover onto the petals of the more mature flower. The entire life cycle is compressed in this photo, but the pace of the action as it is captured seems languid and dreamy. Poppies and Irises Right: This image of red poppies and irises combined flowers from my garden (the poppies) and a bunch purchased at the store (the irises). I arranged the flowers carefully on a light box, then shot straight down, aiming for a high-key (overexposed) effect. Using a tripod to keep the composition in synch, I shot ten exposures with my 50mm macro lens. Each exposure was made at f/11 and ISO 100, with shutter speeds between two seconds and 1/50 of a second. To get the results shown, I started by processing the brightest exposure first (the one shot at two seconds), and then pasted in details from the darker exposures in successive layers, using Photoshop layers and layer masks.Most helpful customer reviews
26 of 28 people found the following review helpful.
A Rare Combo - Art Book & Techniques Book in One
By Curious
Usually you get one or the other in photo books - fine art photography or step x step how-to techniques. Photographing Flowers combines the best of both genres. The photos in this latest Harold Davis book are stunning & aspirational (you'll want to achieve what he did!). And, his techniques tips seem doable even by non-pro photographers. If I had to sum up the book in one sentence, I'd say it explores possibilities and options for photographing flowers in ways that make you think out of the flower pot (or, garden plot).
This book covers the soup to nuts aspects of flower photography, including: what to capture, where to capture shots (outdoors or in studio), how to ensure shooting success, best ways to present your floral subjects (composition, focus, lighting - natural & artificial - and manipulation in the digital darkroom). It even throws in a smattering of how to simulate the style of famous artists and art movements that lend themselves to floral subjects. It is an artistic and practical field guide to flower photography.
Harold Davis is clearly an enthusiastic fan of flowers. For those who are interested, it's even possible to learn more about various species from the book. Hey, it's more exciting than you might think. Who knew I'd get a sex ed lesson in a photo book about flowers! But, it's like photographing any subject. The more you know about it the more you can do it justice in your images.
One last thing I'd like to point out is how beautifully Photographing Flowers is designed. I recently took a course on photo book design. So I'm very sensitive to the complexity of doing it well. The font is an ideal readable size & style, the layouts are clean (images complement text, the flow is logical & there's enough white space on each page), plus the color management is spot on (so many techniques photo books have muddy visuals - this one is clean, crisp and vibrant).
I'm already pulling out my lightbox, some cheap clamp on the back of a chair strobes, a reflector & gobo, my tripod & macro lens to see what I can come up with using this book as a reference and inspiration.
32 of 37 people found the following review helpful.
Not Quite What I Expected
By C. O'Keefe
This book is gorgeous but just not what I was looking for. There are many exquisite flower photographs and it would do well as a coffee table book. If you are a beginner or intermediate photographer I would not recommend this book for help in shooting flowers or macros. In addition to using macro lenses plus extensions plus close-up lenses all stacked together, Harold Davis uses rather complicated extensive post processing using Photoshop plus plug-ins. He also uses a light box for many of his shots. The results are breathtaking but require a lot of equipment and a lot of time. If you are looking to improve you close-up photography especially of flowers and hoping to get something decent out of camera I doubt that this book is for you either. I found Bryan Peterson's "Understanding Close-up Photography" to be very helpful, particularly in showing how to get the flower shots I envisioned with a lot less equipment, a lot less post processing and a lot less cross referencing
15 of 16 people found the following review helpful.
Beautiful Flora
By Conrad J. Obregon
Over the years, as I've read books by Harold Davis, I've been impressed by the flower photographs he sometimes used for examples. I've waited expectantly for this book.
The book begins with an introduction to the world of flowers, including a discussion of some of the main families (although not, strangely enough, orchids). This is followed by a section on actually making flower photos, including discussions of equipment and exposure. Next is a section on flower sexuality. Davis concludes with a foray into post-processing of flower images.
The most arresting part of the book was the actual flower photographs. Every page spread has at least one beautiful photograph of one or more flowers. Particularly striking are the pictures of flowers taken on either a light table or in a light tent. The white of the environments is replaced by the white of the pages and the flowers snake through the text. I did wonder if these photographs would appear as lovely in a frame, without text, and I was inspired enough by the technique to resolve to try it at the first opportunity. Each of these photographs is well annotated and there is as much teaching in the captions as there is in the main text.
Although Davis covers all the bases of flower photography many of his hints are general in nature. For example, in discussing outdoor flower photography, he suggests using either a Plamp or a McClamp to keep the flower from moving. Having both of these devices in my arsenal, I knew that there was more to say about them, but Davis moved on without further mention. Similarly, in describing the use of flash, he discussed a preference for macro flash units, but didn't discuss the possibilities of regular units, or perhaps even using multiple units to shape the flowers.
The section on post processing was clearly aimed at the person who already knows how to use Photoshop. Techniques were suggested in terms that an experienced user would understand but not a beginner.
Some of the instruction in the book, like that on exposure, is clearly aimed at the beginner, while other information is aimed at a more advanced user. I think the principal benefit of this book will be as inspiration, although there is adequate instruction for the new flower photographer. I'm glad that Davis has finally decided to present us with this beautiful account of one of his favorite genre skills.
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