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David Nasaw's magnificent, definitive biography of William Randolph Hearst is based on newly released private and business papers and interviews. For the first time, documentation of Hearst's interactions with Hitler, Mussolini, Churchill, and every American president from Grover Cleveland to Franklin Roosevelt, as well as with movie giants Louis B. Mayer, Jack Warner, and Irving Thalberg, completes the picture of this colossal American. Hearst, known to his staff as the Chief, was a man of prodigious appetites. By the 1930s, he controlled the largest publishing empire in the country, including twenty-eight newspapers, the Cosmopolitan Picture Studio, radio stations, and thirteen magazines. As the first practitioner of what is now known as synergy, Hearst used his media stronghold to achieve political power unprecedented in the industry. Americans followed his metamorphosis from populist to fierce opponent of Roosevelt and the New Deal, from citizen to congressman, and we are still fascinated today by the man characterized in the film classic CITIZEN KANE. In Nasaw's portrait, questions about Hearst's relationships are addressed, including those about his mistress in his Harvard days, who lived with him for ten years; his legal wife, Millicent, a former showgirl and the mother of his five sons; and Marion Davies, his companion until death. Recently discovered correspondence with the architect of Hearst's world-famous estate, San Simeon, is augmented by taped interviews with the people who worked there and witnessed Hearst's extravagant entertaining, shedding light on the private life of a very public man.
- Sales Rank: #146407 in eBooks
- Published on: 2013-08-12
- Released on: 2013-08-12
- Format: Kindle eBook
Amazon.com Review
The epic scope of historian David Nasaw's biography matches the titanic personality and achievements of William Randolph Hearst (1862-1951), who built "the nation's first media conglomerate" from a single San Francisco newspaper. Based on previously unavailable sources, including Hearst's personal papers, Nasaw's long but absorbing narrative gives a full-bodied account of the often contradictory mogul: "a huge man with a tiny voice; a shy man who was most comfortable in crowds ... an autocratic boss who could not fire people; a devoted husband who lived with his mistress." Wife Millicent Hearst and actress-inamorata Marion Davies also emerge with more complexity than in previous portraits like Orson Welles's Citizen Kane, whose factual inaccuracies Nasaw dissects. The author tempers the usual simplistic account of Hearst's political evolution from fire-breathing leftist to red-baiting conservative, calling him "a classic liberal" who believed in less-is-more government and deplored fascism as much as communism. Fresh insights and elegantly turned phrases abound in Nasaw's depiction of Hearst's activities as newspaper publisher, movie producer, and politician, but what's even more intriguing is the poignant personal drama of a man born "in the city of great expectations on the edge of the continent" who was buried 89 years later in San Francisco, "the place he used to know." --Wendy Smith
From Publishers Weekly
It has been 40 years since the last major Hearst biographyAthus this new volume has inherent value in portraying anew the great forerunner of Rupert Murdoch and other modern-day media moguls. This long-winded tome, however, often bogs down in trivial details of Hearst's tangled personal and professional life. Nasaw (Going Out: The Rise and Fall of Public Amusements) is the first to have had access to the formerly closed Hearst archives, but he doesn't really offer any surprises. On the big questions, the author only confirms what we already knew: that it was a lack of academic diligence that lay behind Hearst's failure at Harvard; that, like countless other well-heeled young men of his generation, he kept a mistress before marriage; that he was na?ve in his dealings with Hitler. Neither is it a revelation that Hearst's financial collapse in the late 1930s was the result of spendthrift habits combined with the dour economic climate of the times. But the Hearst whom Nasaw portrays in such extraordinary (and excessive) detail is still the fascinating figure we've known for years: the self-absorbed genius equally addicted to power and possessions, the press baron interested not just in reporting news but in making and manipulating it. Photos not seen by PW. BOMC alternate selection. (June)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
The outsized life of William Randolph Hearst is a challenge to any biographer. The son of a miner who made a fortune in Western gold fields, he transformed American journalism as a publisher. He was a force in Hollywood's first golden age, and Marion Davies, his longtime mistress, was an early star. In politics, he served in Congress and sought the presidency, an office Franklin Roosevelt attained with the help of Hearst, who then became an arch-critic while corresponding with world leaders such as Mussolini and Hitler. As a collector, he filled warehouses with art objects he could not fit into the castles he built and bought. It may be inevitable that no biography could do full justice to each aspect of such a life, but CUNY historian Nasaw (Going Out: The Rise and Fall of Public Amusements) has done an admirable job. Enjoying the cooperation of family members and access to new primary sources, Nasaw has written a richer biography than the previous standard, W.A. Swanberg's Citizen Hearst (LJ 10/15/93), and a comparable book to Ben Proctor's two-volume work-in-progress, of which William Randolph Hearst: The Early Years (LJ 4/1/98) is Volume 1. Highly recommended for general collections.
-DRobert F. Nardini, Chichester, NH
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
95 of 98 people found the following review helpful.
Yes, brilliant!
By Terry
I read W. Swanberg's 1961 biography of Hearst when it came out and have reread it several times since then. I just finished Nasaw's new biography and have concluded it is superior to the latter in depth and overall content. Superbly written, it is much more dazzling coverage of arguably the most fascintating public and private person outside of Washington D.C (excluding Hearst's brief role as a Congressman). Hearst lived a life that undoubtedly will not be experienced again by anybody, due to the era in which he lived and the opportunities and circumstances that era's environment presented him. I've been reading autobiographies and biographies since my childhood and this one of Hearst is the best to date. The life of our current wealthiest citizen, Billy Gates, vastly pales in comparison with that of Hearst. Highly recommended!
54 of 59 people found the following review helpful.
A brilliantly written biogrphy
By A Customer
David Nasaw has crafted in "The Chief" a brilliant portrait of one of the most important figures in twentieth century America. With the help of never before seen documents, and privileged access to the Hearst family archives, Nasaw closely follows Hearst's life and times through his young life, his Harvard years, and the subsequent rise, fall, and recovery of his publishing and movie empire. It is rare to find an academic work of this caliber. Nasaw combines the serious and diligent research of a distinguished historian with the story telling ability of a novelist to make The Chief a worthy read for anyone interested in Hearst, whose life formed the basis for Orson Welles' Citizen Kane.
32 of 34 people found the following review helpful.
All the facts, but still lacking.
By Newton Munnow
Nasaw's biography of William Randolph Hearst is an easy read. That alone is quite an accomplishment. Like many biographers, you get the sense that the author is in sympathy with his subject, too much so for great chunks of so large a book. We hear detailed accounts of Hearts' continuous aquisitions, from art to newspapers to newspapermen, but Nasaw rarely seems to question Hearsts' grander motives. Was this really a man with a mission, or simply a rather large, intelligent brat? At the root of Hearst lies this question - How could one of the richest men in America declare that he only ever acted in the people's interest. Nasaw appears to swallow Hearsts' own political claims without a problem, that he was free from political affiliations and therefore free of obligations. Yet Nasaw ignores his own evidence. Again and again, we are confronted with Hearst acting out against individuals, corporations and governments with nothing but his own interests at stake. This degree of hypocrisy and selfishness are fascinating aspects of Hearsts' character, but barely addressed by an author more concerned with staking a strong claim for his subject among the crowds of 20th century historical figures.
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